Who Review: A Town Called Mercy
Last Saturday’s installment of Doctor Who saw the TARDIS crew in the Wild West… again. Granted, the last time was 46 years ago, in an adventure called “The Gunfighters,” which featured the Doctor trying to get a tooth repaired by Doc Holliday, and the infamous Ballad of the Last Chance Saloon (which I hoped they would get Billie Piper to re-record as a special video treat for the DVD release–but alas… ). So, needless to say, this new adventure was a little darker.
On their way to the Mexican Day of the Dead celebrations, the Doctor, Amy, and Rory mistakenly end up in the small town of Mercy in the American Wild West. But the town has electric lights ten years ahead of its time. It appears these have been provided by a seemingly kindly alien by the name of Kahler-Jex. And not only has Jex used his advanced knowledge to heat and light the town, but he also recently cured the town after an outbreak of cholera. This he did in gratitude for the town giving him a place to stay, and asking no questions. Indeed, the town is called Mercy for a reason. But Mercy isn’t just a place for Jex to stay: it’s a place to hide. The laser-toting Gunslinger, half-man, half-fighting robot, is after Jex, and has threatened to destroy the town and everyone in it if they don’t surrender him.
Things become complicated when the Doctor discovers the truth about Jex: that he’s a war criminal, responsible for experimenting on his own people to create cyborgs in an effort to end a long war. The Gunslinger is the last of the cyborgs bent on delivering final justice to the men who made him what he is. Does the Doctor hand Jex over for the justice he deserves, or does he try to find a way to placate the Gunslinger and save the town?
SPOILER ALERT!! My comments may (and likely will) contain spoilers for those that haven’t seen the episode. If you want to stay spoiler-free, please watch the story before you continue reading!
And I might have said a little too much about Kahler-Jex and the reason why the Gunslinger is after him. But it seems the point of this story is really to throw the Doctor onto the horns of a moral dilemma. Toby Whithouse, the story’s writer (who also wrote “School Reunion” from series 2, “The Vampires of Venice” in series 5, and “The God Complex” in series 6), puts the Doctor into a very difficult position. Handing Jex over to the Gunslinger is as good as killing him with his own hands. Extending mercy to Jex puts the entire town at risk.
Again, some found the Doctor’s initial reaction, to force Jex out of town to face his judge, uncharacteristic–especially when he pulls a gun on Jex. The Doctor expresses his frustration at always paying later for the mercy he has extended to his foes, be it the Daleks, or the Master. But, as I noted last week, the Doctor has behaved this way before, and a repeat performance of this merciless side only reinforces (I think) the fact that something’s coming. It’s Amy who brings the Doctor back to his senses, reminding him that this is why he needs companions, otherwise he loses perspective. This little speech reminded me of something very similar Donna Noble said to the Tenth Doctor at the end of The Runaway Bride. Perhaps this is all just foreshadowing the loss of Amy and Rory, and the coming of the new companion? Perhaps. I’m keeping all options open, though.
So, to the nitty gritty. Yes, I enjoyed this story. Not as much action, a bit of a slower pace, but that’s good. If I was twenty years younger, I might go for the weekly 45-minute adrenaline rush kids these days seem to want. But I like it mixed up a bit. An action romp one week, something a bit slower and thoughtful the next. There were some plot points that seemed to be skated over. The Gunslinger could, at any point, have targeted Jex and killed him without any collateral damage. Perhaps he was testing the townspeople to see if they would do the right thing (according to the Gunslinger), or maybe he was afraid someone would try to save Jex and get killed? I liked the fact that the Gunslinger wanted to avoid killing innocent people (though I’m not quite sure, then, why he hunted down Isaac and Rory while the Doctor was going to get the TARDIS–did I miss something?)–it showed that he wasn’t all robot. But the fact this seeming plot hole was never really dealt with betrayed the fact that the plot was really just window dressing for the moral dilemma.
But what nice window dressing! Seriously, plot hole aside, it was a good story, well-acted (as usual), and with another setting the classic series could never have afforded (Almeria, Spain–and the same set used for some of the most famous classic Westerns). I’m so glad the BBC is throwing money at Doctor Who, and I think the production team are putting it to good use.
Did you see “A Town Called Mercy”? What did you think, if you did? Feel free to comment on the show, or share your thoughts on Doctor Who in general.